Alianait x Hitmakerz - Episode 2: How do I make a living as an artist?

Featured Artist: Brenda Montana (English Version), Eden Okatsiak Napayok (Inuktitut Version)

At both Alianait and Hitmakerz, we strongly believe that it’s possible to make a stable income as an artist and have a career doing what you love!

The ways that an artist can make money has changed a lot in the past 20 years, and it’s become important to have several different ways, or “revenue streams” to earn money.

Watch the full English video here: https://youtu.be/7YG2iQfVor8

Watch the full Inuktitut video here: https://youtu.be/yUcSSd3XVek

No matter which one you choose, you must remember that your fans are the most important thing, because at the end of the day, they are the ones that pay you, either directly, with money, or indirectly, with their attention. Both are extremely valuable. With money, you can pay rent, and attention can easily be turned into money.

In our world of social media and Spotify, music is basically free. In fact, there’s way too much music to ever listen to, so everybody’s fighting for attention. That’s why focusing on building strong experiences and personal connections with your fans is so important!

In the old days, the primary revenue stream was album sales, since people needed to buy CDs, cassettes, and records to listen to music. But today, since music is basically free, artists can’t expect to make a stable income from album sales alone.

But don’t worry. There are still many ways to make money, although funny enough, most of them are by selling everything except the actual music itself. Here is a list we’ve put together.

Live Performances

One of the main ways to make money from your music is by touring and performing live shows. Fans can get your music for free, but what they can’t get for free is a chance to see an in-person, one-of-a-kind performance of your music. For this reason, touring, concerts, and festival performances have become one of main revenue sources for artists, and the experiences created at a live concert can be just as meaningful for the fans as the music itself.

Training

Another revenue stream is motivational speaking, workshops, teaching, and training. This revenue stream can include teaching musical skills – including ukulele lessons, guitar lessons, throat singing lessons or other vocal techniques – or even cultural teachings, like teaching Inuktitut, or promoting and educating Qallunaat about Inuit history and culture.

Work-for-Hire

If you’re skilled at your craft, you can get people to hire you as a music producer, session musician, or some other kind of “work-for-hire”. To do this, you either have to know people who can pay for your services, or you can put up examples of your work on websites like www.soundbetter.com or www.fiverr.com, and allow people to pay you to create specific works for them.

Beatmaking

If you know how to make beats, you can also sell these to other artists or producers, either directly or on websites like BeatStars and BeatBrokerz.

Music Sales

Although it’s not as big as it used to be, music sales do still happen, especially when fans love you and want to support your work. You can sell your music directly on websites like www.bandcamp.com and www.bandzoogle.com.

Royalties & Publishing

Whenever your music is played on the radio, at concerts, in stores, in TV and in films, or even at bars and parties, you are legally required to be paid a small amount of money called a royalty. To make sure you get paid this royalty, you’ll need to make sure your music is properly registered with organizations like SOCAN. We’ll go over this in more detail in Episode 4. In order to increase your royalties, the best thing you can do is write a lot of songs, not only for yourself, but also for other artists and music publishers. Try to perform on as many songs as possible, too, by doing features and collaborations with other artists.

Music Licensing 

Music licensing is where you allow someone to use your music in their project for a fee. We’ll talk more about that in the next video. There are some companies like Nagamo Publishing and MusicSupervisor.com that let you upload your music to an online library to help you do this. If your work is especially popular or very well suited for TV and film, you might also be able to get a publishing deal with an established music publisher, although these types of deals are very rare nowadays.

Merchandise

Don’t forget that fans can both hear and see you, so they probably love the way you look as much as the way you sound. This means that you can sell your “image”. To do this, try selling artist merchandise with your photos, logo, or other awesome images that would make your fans feel closer to you. Selling merchandise usually takes place either at live shows or through an online store. You can print your own merch, but for that you’ll need money to make the merch and space to store your inventory. You can also create a print-on-demand online store, but this requires a website and some technical know-how.

Image Licensing

If you don’t want to create, make, and sell merchandise yourself, you can also sell your image licence to someone else for a cut of the profits. This means that they do the work for you and keep part of the money.

Patronage

Many musicians also make money online through fan patronage. This is where you post exclusive content (like music, videos, or streaming) on websites like www.patreon.com or www.twitch.com and your fans can pay to subscribe.

Social Media Influencer

If you have enough followers on social media, some brands might want to pay you to promote their products as an influencer. Keep in mind that they might only pay you in products, not cash. 

Cameos

If you become famous, another option is to allow fans to buy a short personalized video (called a “cameo”) from you on websites like www.cameo.com or www.memmo.me.

Ad Revenue

If you post videos on YouTube, you can earn royalties by placing ads in your video. This way, the more people watch your videos, the more money you make. If you have a website or blog, you could also make space for AdWords and make money each time someone sees the ad.

Affiliate Marketing

This is when you recommend a product to your fans, and everytime one of them buys it through your link, you get a small cut of the profits. You can create an affiliate marketing page on websites like www.amazonaffiliates.com or www.shopify.ca/affiliates and promote it on your website, blog, or through social media.

Product Placement

If you create visual content (like photos, videos, live streams, etc.), a sponsor might want to pay you to “place” a product somewhere that many people will be able to see it and want to buy it.

Crowdfunding

If you’ve got a specific project you’d like to do – like “Record an Album” or “Pay Rent in September” – you can also try crowdfunding. This is where you set up a donation page on websites like KickStarter.com or GoFundMe.com, and ask people to help pay for your project.

Sponsorship / Partnerships

Some artists are able to get sponsors that pay them to promote their products like when McDonald’s partners with K-pop group BTS to create a unique meal, or when Tim Hortons partners up with Justin Bieber to create Tim Biebs.

Artist-in-Residencies

Artist-in-residence programs are opportunities for artists to get away from their regular workspace and live in a creative environment or culture while they produce new content. Artist-in-residence programs normally don’t provide direct income, but can help create the music that supports your career.

Project Funding

A common way to fundraise in Nunavut and Canada is to access grants or contribution funding from various organizations that support cultural projects and economic development. At Hitmakerz, we call them Patrons.

Funding from Patrons is normally used to help pay for some of the expenses needed for projects like albums, music videos, websites, etc. The idea is that the Patron helps you create the project, and you then “sell” this project and make enough money to continue your career as an artist.

In most cases, this money can only be used to pay for the creation of the project itself, but it can sometimes also be used to cover living expenses for the artists for a specific amount of time. 

Each region has its own programs that support music. In Nunavut, some examples include various departments within the Government of Nunavut and Nunavut Tunngavik. Nationally, examples include SOCAN, FACTOR, and Canada Council for the Arts.

Each project is different and every Patron has their own ways to spend money. In order to access this money, it can be useful to work with a grant writer or a record label. Many of the programs focus on cultural and economic impact, and many have grants specifically designed for Indigenous artists. The key to accessing this revenue stream is to create win-win situations so both the artists and Patrons are happy!

Conclusion

And that’s it. Those are the main ways to create income. There are many more examples we could talk about, and new opportunities are created every day. The only real limit to how artists can make money is their imagination. 

Always remember to treat your music like a business. It’s fun, but if it’s also your main source of income, you have to be professional and make that money!

We believe you’re capable of having an amazing music career, and we hope you found this episode helpful! Thank you for watching! If you have any questions or if you’d like additional resources, please go to www.hitmakerz.com/alianait. Qujanamiik!

Below is a sample of the Inuktitut translation. For the full version, please visit: https://drive.google.com/drive/folders/1a0sV3FdEGQfI-TkV7mQhsmtUcDSHRz8b?usp=sharing.

ᓴᖅᑭᔮᕐᓂᖓ 2: ᖃᓄᕐᓕ ᖃᐅᑕᒫᖅᓯᐅᑎᓂᒃ ᐱᓕᕆᔾᔪᓯᖃᖃᑦᑕᖅᐳᖓ ᐃᙱᖅᑎᐅᓪᓗᖓ?

ᐃᓕᑕᕆᔭᐅᔪᖅ ᖃᑉᓗᑦᓯᐊᖅ ᓇᐸᔪᖅ

ᓴᖅᑭᔮᕐᓂᖓ 2: ᖃᓄᕐᓕ ᖃᐅᑕᒫᖅᓯᐅᑎᓂᒃ ᐱᓕᕆᔾᔪᓯᖃᖃᑦᑕᖅᐳᖓ ᐃᙱᖅᑎᐅᓪᓗᖓ?

ᐅᖃᓕᒫᖅᑎᓄᑦ,

ᐅᖯᓗᑦᓯᐊᖅ, ᐊᑎᕋ ᖃᑉᓗᑦᓯᐊ ᓇᐸᔪᖅ ᐊᕐᕕᐊᑦ ᓄᓇᕗᑦ ᒥᐅᑕᐅᔪᖓ ᐊᒻᒪ ᐃᒻᖏᑎᐅᔪᖓ, ᐊᓈᓇᐅᑉᓗᖓᓗ

ᐊᑐᓂ ᐊᓕᐊᓇᐃᑦ, Hitmakerzᑯᑎᒍᓪᓗ, ᖃᐅᔨᒪᖁᔨᕗᖓ ᐊᔪᕐᓇᙱᑦᑎᐊᖅᑐᖅ ᓈᒻᒪᒃᑐᑎᒍᑦ ᑮᓇᐅᔭᓕᐅᕐᓇᖅᑐᖅ ᐃᙱᖅᑎᐅᓪᓗᓂ, ᐱᓕᕆᕙᒡᓗᓂᓗ ᐊᓕᐊᓇᐃᒋᔭᕐᒥᖕᓂ!

ᐊᕙᑎᓂᒃ (20) ᐊᕐᕌᒍᓂ ᐃᓗᐊᓂ ᖃᓄᖅ ᑮᓇᐅᔭᓕᐅᕆᐊᒃᓴᖅ ᐊᒃᓱᒻᒪᕆᐊᓗᒃ ᐊᓯᔾᔨᖅᓯᒪᕗᖅ ᐱᒻᒪᕆᙳᖅᓯᒪᓕᖅᖢᓂᓗ ᐊᔾᔨᒌᙱᑦᑐᓂᒃ ᐅᕝᕙᓘᓐᓃᑦ “revenue streams” ᑕᒪᐅᓇ ᑮᓇᐅᔭᓕᐅᕆᐊᒃᓴᖅ.

ᓂᕈᐊᖅᑕᐃᑦ ᖃᓄᑐᐃᓐᓇᖅ ᓈᒻᒪᑦᑎᐊᖅᑐᖅ, ᑭᓯᐊᓂ ᐃᖅᑲᐅᒪᔭᕆᐊᖃᖅᐳᑎᑦ ᖁᙱᐊᖅᑎᖁᑎᑎᑦ, ᒪᓕᒃᑎᖁᑎᑎᑦ ᐱᒻᒪᕆᐅᒋᔭᕆᐊᖃᖅᑕᑎᑦ, ᓲᖃᐃᒻᒪ ᐅᓪᓘᑉ ᐊᓂᒍᕐᕕᐊᓂᑦ, ᑖᒃᑯᐊ ᐃᓕᖕᓂᑦ ᐊᑭᓕᖅᓱᐃᓲᖑᕗᑦ, ᓲᕐᓗ ᑐᓂᓯᑲᐅᑎᒋᔪᑦ, ᑮᓇᐅᔭᖅᑎᒍᑦ, ᐅᕝᕙᓘᓐᓃᑦ ᐅᖓᓯᒃᑐᒃᑯᑦ, ᓇᓕᒃᑎᓪᓗᒋᓪᓘᓐᓃᑦ. ᑖᒃᑯᐊ ᑕᒪᕐᒥᑦᑎᐊᖅ ᐱᒻᒪᕆᐅᕗᑦ. ᑮᓇᐅᔭᖅᑎᒍᑦ, ᐃᒡᓗ ᐊᑐᖅᑐᐊᖅᑕᐃᑦ ᑖᒃᓱᒧᖓ ᐊᑭᓖᔾᔪᑎᒋᔪᓐᓇᖅᐸᐃᑦ. ᖁᙱᐊᖅᑕᐅᓂᒃᑯᑦ ᑮᓇᐅᔭᙳᑲᐅᑎᒋᔪᓐᓇᖅᐳᖅ.

ᐃᑭᐊᖅᑭᕕᐅᒃ ᓄᓇᕐᔪᐊᖁᑎᒋᔭᓂ Spotifyᖑᓂᕋᖅᑕᐅᔪᖅ, ᑐᓴᕐᓈᕐᓗᓂ ᐊᑭᖃᙱᑉᐳᖅ. ᓱᓕᔪᒃᑯᑦ ᐅᓄᒻᒪᕆᒃᑐᓂ ᑐᓴᕐᓈᖏᓐᓇᐅᔭᕐᓇᖅᐳᖅ, ᑕᐅᑐᒃᑕᐅᓂᖅᓴᖅᑕᖃᐃᓐᓇᕐᓂᖅᓴᐅᔪᒪᔪᐃᑦ ᐅᓄᕐᓂᖅᓴᐅᕗᖅ. ᑖᒃᓱᒫ ᐱᒻᒪᕆᐅᔾᔪᑎᒋᔭᖓ ᐃᓕᖕᓂᑦ ᐊᔪᕈᓐᓃᕆᐊᓪᓚᒍᑎᖃᕈᒪᓐᓇᖅᐳᖅ. ᑖᒃᑯᓄᖓᓗ ᒪᓕᒃᑎᓄᑦ ᖃᒡᓕᕚᓪᓕᕈᒪᓐᓇᖅᖢᓂ ᐱᒻᒪᕆᐅᖕᒪᑦ ᑖᓐᓇ ᐃᒻᒪᑲᓪᓛᕐᔫᓕᖅᑐᖅ, ᑮᓇᐅᔭᓕᐅᕈᑎᒋᔭᐅᕙᓚᐅᖅᑐᖅ album ᓂᐅᕕᐊᒃᓴᕆᔭᐅᓪᓗᓂ, ᓲᖃᐃᒻᒪ ᑭᓇᑐᐃᓐᓇᖅ CDᒥᒃ ᐊᑐᕐᓗᓂ ᑐᓴᕐᓈᕈᓐᓇᖅᐸᓚᐅᕐᒪᑦ, cassetteᑯᑎᒍᓪᓗ, ᓂᐱᓕᐅᕆᓐᓇᖅᖢᓂᓗ ᑐᓴᕐᓈᓂᐊᖅᑕᒥᖕᓂ. ᑭᓯᐊᓂ ᐅᓪᓗᒥᐅᓕᖅᑐᖅ, ᑐᓴᕐᓈᓗᓂ ᐊᑭᕿᙱᐸᓗᓕᕐᒪᑦ, ᐃᙱᖅᑏᑦ ᑮᓇᐅᔭᓕᐅᕐᕕᖃᓗᐊᕈᓐᓃᕐᒪᑕ album ᓂᐅᕕᐊᒃᓴᖁᑎᖏᑦᑎᒍᑦ.

ᑭᓯᐊᓂ ᐱᖏᒍᓱᖏᑦᑎᐊᕆᑦ. ᐅᓄᖅᑐᒻᒪᕆᖕᓂ ᐱᕕᒃᓴᖅᑕᖃᖅᐳᖅ ᑮᓇᐅᔭᓕᐅᕆᐊᒃᓴᖅ, ᑎᔅᓯᓇᕋᓗᐊᖅᑎᓪᓗᒍ, ᑕᒪᒃᑭᑲᓴᑦᑎᐊᖅᓯᒪᕗᖅ ᑭᓱᕈᓘᔭᕐᓂᒃ ᓂᐅᕕᐊᒃᓴᖃᕆᐊᒃᓴᖅ ᐱᔭᐅᙱᑦᑐᑐᐊᑦᑎᐊᖅ ᑐᓴᕐᓈᖅᑕᐅᔾᔪᑎᒃᓴᓂᒃ. ᑲᑎᑦᑎᕗᒍᑦ ᑎᑎᕋᖅᓯᒪᔪᓂᒃ.

ᑕᑯᒃᓴᐅᑲᐅᑎᒋᔪᖅ ᐃᙱᕐᓗᓂ

ᑮᓇᐅᓕᐅᕈᑎᒃᓴᑐᐊᑦᑎᐊᖑᕗᖅ ᐃᒡᕕᑦ ᐃᙱᐅᓯᖓᑦᑎᒍᑦ ᐊᐅᓪᓚᑲᑕᒡᓗᓂ ᖁᙱᐊᖅᑕᐅᓗᓂ. ᓈᓚᒃᑎᖁᑎᑎᑦ ᐊᑭᖃᙱᑦᑐᒥᒃ ᑐᓴᕐᓈᓗᑎᒃ, ᐊᑭᖃᙱᑦᑐᖅ ᑖᓐᓇ ᓈᓚᒃᑎ ᐃᓕᖕᓂᑦ ᑕᑯᒻᒪᕆᒡᓗᓂ, ᑖᓐᓇᑐᐊᑦᑎᐊᖅ ᐊᑐᕐᓗᒍ ᐃᙱᖅᑎᐅᓃᑦ. ᑖᓐᓇ ᐱᔾᔪᑎᒋᓪᓗᒍ, ᐊᐅᓪᓚᖃᑦᑕᕐᓂᖅ, ᖁᙱᐊᖅᑕᐅᓂᖅ, ᐱᙳᐊᕈᓘᔭᕐᓂᕐᓗ ᐊᖅᑯᑎᒃᓴᑐᐊᑦᑎᐊᖑᓯᒪᓕᖅᐳᖅ ᐃᙱᖅᑎᓄᑦ, ᐊᑐᓚᐅᖅᓯᒪᔭᑎᑦ ᐱᕈᕈᑎᒋᔭᐃᑦ ᑕᑯᒃᓴᐅᑲᐅᑎᒋᔪᒃᑯᑦ ᖁᙱᐊᖅᑕᐅᓂᖅ ᐱᒻᒪᕆᐅᔾᔪᑎᒋᔪᓐᓇᖅᐸᐅᒃ ᖁᙱᐊᖅᑎᓄᑦ ᐃᙱᐅᑏᑦ ᐊᑐᕐᓗᒍ.

ᐃᓕᑦᑎᕙᓪᓕᐊᓂᖅ

ᐱᑕᖃᒃᑲᓐᓂᕐᒪᑦ revenue streamᑯᑎᒍᑦ ᐃᓄᒋᐊᒃᑐᓄᑦ ᐅᖃᓪᓚᖕᓃᑦ, ᐱᓕᕆᑎᑦᑎᖃᑦᑕᕐᓂᖅ, ᐃᓕᓐᓂᐊᖅᑎᑦᑎᓂᖅ, ᐃᓕᑦᑎᕙᓪᓕᐊᓂᒃᑯᓪᓗ. ᑖᓐᓇ revenue streamᖑᓂᕋᖅᑕᐅᔪᖅ ᐊᑕᔾᔪᑎᖃᖅᐳᖅ ᐃᓕᓐᓂᐊᖅᑎᑦᑎᓂᖅ ᐃᙱᐅᑏᑦ ᐊᑐᕐᓗᒍ ᐃᓚᐅᕗᖅ ᑯᑭᑦᑕᐹᕋᓛᒃᑯᑦ ᐃᓕᓐᓂᐊᖅᑎᑦᑎᓂᖅ, ᑯᑭᑦᑕᐹᖅ ᖃᓄᖅ ᐊᑐᖅᑕᐅᓲᖑᖕᒪᖔᑦ, ᑲᑕᔾᔭᐅᓯᖅ ᐅᕝᕙᓘᓐᓃᑦ ᓂᐲᑦ ᐊᑐᕐᓗᒍ ᐅᕝᕙᓘᓐᓃᑦ ᐱᖅᑯᓯᑐᖃᖅ ᐊᑐᕐᓗᒍ ᓲᕐᓗ ᐃᓄᒃᑎᑐᑦ ᐃᓕᓐᓂᐊᖅᑎᑦᑎᓂᖅ, ᐅᕝᕙᓘᓐᓃᑦ ᖃᓪᓗᓈᑎᑐᑦ ᐃᓕᓐᓂᐊᖅᑎᑦᑎᓗᓂ ᖃᓪᓗᓈᓄᑦ ᐃᓄᐃᑦ ᐱᖅᑯᓯᖏᓐᓂ ᐃᒻᒪᑲᓪᓚᒡᓗ ᐊᑐᖅᑕᐅᕙᓚᐅᖅᑐᓂᑦ.

ᓴᓈᒃᓴᒧᑦ ᓂᕈᐊᖅᑕᐅᔾᔪᑏᑦ

ᓴᓇᖃᑦᑕᖅᑕᕕᑦ ᐊᔪᖏᓐᓃᑦ, ᓴᓈᖅᑖᕈᓐᓇᖅᐳᑎᑦ ᐃᙱᐅᑎᐅᑦ ᐃᓱᒪᑕᖓᓄᒃ, ᐃᙱᕐᓂᐅᑉ ᐃᓕᓐᓂᐊᕐᓂᕐᒧᑦ ᐅᕝᕙᓘᓐᓃᑦ “ᓴᓈᒃᓴᒧᑦ ᓂᕈᐊᖅᑕᐅᔾᔪᑎᒧᑦ” ᑖᓐᓇ ᐊᖅᑯᑎᒋᓂᐊᕐᓗᒍ, ᖃᐅᔭᒪᔭᕆᐊᖃᖅᐳᑎᑦ ᑭᓇ ᐊᑭᓕᖅᓱᐃᓲᖑᖕᒪᖔᑦ ᐱᓕᕆᓂᕐᓄ, ᐅᕝᕙᓘᓐᓃᑦ ᐊᑐᕈᓐᓇᖅᐸᑎᑦ ᓴᓈᑦ ᐊᑐᕐᓗᒍ ᐃᑭᐊᖅᑭᕕᒃᑯᑦ ᓲᕐᓗ www.sound better.com ᐃᓄᐃᑦ ᐊᑭᓕᖅᓱᐃᓂᖏᑦ ᐊᑐᕐᓗᒋ ᐃᑲᔪᕐᓗᒋᓪᓗ ᓇᓕᐊᖕᓂᑦ ᓴᓈᖅᑖᕐᓂᐊᕐᒪᖔᑦ

ᑐᑦᑕᓗᖕᓃᑦ

ᖃᐅᔨᒪᒍᕕᑦ ᖃᓄᖅ ᑐᑦᑕᕐᓂᖅ ᓴᓇᔭᕆᐊᒃᓴᖅ, ᓂᐅᕕᐊᒃᓴᕆᔪᓐᓇᖅᐸᑎᑦ ᐃᙱᖅᑎᓄᑦ ᐃᓱᒪᑕᓄᓪᓗ ᐅᕝᕙᓘᓐᓃᑦ ᐃᒃᓯᕙᐅᑕᐅᔪᓄᑦ, ᑖᒃᓱᒧᖓ ᑐᕌᕐᓗᓂ ᐅᕝᕙᓘᓐᓃᑦ ᐃᑭᐊᖅᑭᕕᒃᑯᑎᒍᑦ ᓲᕐᓗ BeatStars ᐊᒻᒪ BeatBrokers

ᐃᙱᐅᑎᓂᒃ ᓂᐅᕕᐊᒃᓴᖃᕐᓂᖅ

ᒫᓐᓇᐅᓕᖅᑐᖅ ᐱᒻᒪᕆᐅᔪᓐᓃᕋᓗᐊᖅᖢᓂ ᖃᖓᒃᑲᓐᓂᖅᑎᑐᑦ, ᐃᙱᐅᑎᓂᑦ ᓂᐅᕕᐊᒃᓴᖃᕆᐊᒃᓴᖅ ᓱᓕ ᐊᔪᕐᓇᙱᑦᑐᖅ, ᓈᓚᒃᑏᑦ ᐃᓕᖕᓂᑦ ᐃᒃᐱᒍᓱᑦᑎᐊᖅᐸᑦ ᐃᓕᖕᓂᑦ ᐃᑲᔪᕈᒪᑐᐊᖅᐸᑦ. ᐃᙱᐅᑏᑦ ᓂᐅᕕᐊᒃᓴᕆᔪᓐᓇᖅᐸᑦ ᐃᑭᐊᖅᑭᕕᒃᑯᑦ ᓲᕐᓗ www.bandcamp.com ᐊᒻᒪ www.bandzoogle.com

ᑮᓇᐅᔭᓕᐅᖏᓐᓇᕐᓇᖅᑐᖅ ᓴᖅᑭᑦᑎᓂᕐᓗ

ᖃᖓᓕᒫᖅ ᐃᙱᐅᑏᑦ ᑐᓴᖅᓴᐅᒃᐸᑦ ᓈᓚᐅᑎᒃᑯᑦ, ᐃᙱᖃᑦᑕᕐᓂᒃᑯᓪᓗ, ᓂᐅᕕᕐᕕᖕᓂᓪᓗ, ᑕᓚᕖᓴᒃᑯᑦ, ᑕᕐᕆᔭᒐᒃᓴᒃᑯᑎᒍᓪᓗ, ᐃᒥᕐᕕᒃᑯᑎᒍᓪᓗ, ᖁᕕᐊᓱᓗᒃᑐᑎᒍᓪᓗ, ᑖᒃᑯᐊ ᐱᔾᔪᑎᒋᓪᓗᒋ ᒥᑭᑦᑐᒥᒃ ᐊᑭᓕᕈᔾᔭᐅᔭᕆᐊᖃᖅᐳᑎᑦ ᐊᑎᖃᖅᑐᖅ ᑮᓇᐅᔭᓕᐅᖏᓐᓇᕐᓇᖅᑐᖅ. ᐊᑭᓕᖅᑕᐅᒻᒪᕆᖁᓪᓗᑎᑦ ᑮᓇᐅᔭᓕᐅᖏᓐᓇᕐᓇᖅᑐᒃᑯᑦ, ᖃᐅᔨᒪᒻᒪᕆᒋᐊᖃᖅᐳᑎᑦ ᐋᖅᑭᒃᓱᖅᓯᒪᑦᑎᐊᕋᓗᐊᕐᒪᖔᑦ ᑲᑐᔾᔨᖃᑎᒌᒃᑯᑎᒍᑦ SOCAN, ᐅᖃᐅᓯᕆᒋᐊᓪᓚᖕᓂᐊᖅᑕᕗᑦ ᓴᖅᑭᔮᕐᓂᖓ 4. ᑮᓇᐅᔭᓕᐅᖏᓐᓇᕐᓇᖅᑐᒃᑯᑦ ᐊᖏᒡᓕᒋᐊᕈᑎ, ᐊᑐᒃᑲᓐᓂᕈᓐᓇᖅᐸᐃᑦ ᐃᙱᐅᓯᓕᐅᒃᑲᓐᓂᕐᓂᖅ, ᐃᓕᖕᓂᑐᐊᖑᙱᑦᑐᖅ, ᐊᓯᖏᓐᓄᓪᓗ ᐃᙱᖅᑎᓄᑦ, ᐃᙱᐅᑎᓂᓪᓗ ᓴᖅᑭᑦᑎᓲᓄᑦ. ᐃᙱᒃᑲᓐᓂᒻᒪᕆᖃᑦᑕᕆᑦ, ᐅᓄᖅᓱᐃᕐᓗᑎᑦ, ᖁᑦᑎᖕᓂᖅᓴᒃᑯᑎᒍᑦ ᐃᙱᖅᑎᐅᖃᑎᑎᑦ ᐱᓕᕆᖃᑎᒋᓗᒋᑦ.

ᐃᙱᐅᑎᓂᒃ ᓚᐃᓴᓐᓯᓕᐅᕈᑏᑦ

ᐃᙱᐅᑎᓂᒃ ᓚᐃᓴᓐᓯᓕᐅᕈᑎ ᐊᑑᑎᖃᖅᐳᖅ ᐊᓯᖕᓂᑦ ᐃᙱᐅᑎᒥᒃ ᐊᑐᕈᓐᓇᖅᑎᑦᑎᓂᖅ ᐊᑭᖃᙱᑦᑐᒧᑦ. ᐅᖃᐅᓯᕆᒃᑲᓐᓂᕐᓂᐊᖅᑕᕗᑦ ᑕᕐᕆᔭᐅᓯᖅ ᓴᖅᑭᒃᑲᓐᓂᖅᐸᑦ. ᑲᒻᐸᓂᑕᖃᐅᖅᐳᖅ Nagamo Publishing ᐊᒻᒪ MusicSupervisor.com ᐃᙱᐅᑎᓂᒃ ᐃᓕᐅᖅᑲᐃᕝᕕᒋᔪᓐᓇᖅᑐᒃᑯᑦ ᐃᑭᐊᖅᑭᕕᐅᑉ ᐅᖃᓕᒫᕈᑎᖏᑦᑎᒍᑦ ᐃᑲᔪᖅᑕᐅᔪᓐᓇᖁᓪᓗᑎᑦ. ᐱᓕᕆᐊᕆᔭᐃᑦ ᐱᒻᒪᕆᐅᒃᐸᑦ ᑕᓚᕖᓴᒃᑯᑎᒍᑦ ᑕᕐᕆᔭᐅᑎᒃᑯᓪᓗ ᐊᑐᒐᒃᓴᐅᒃᐸᑦ, ᐃᑲᔫᑎᔪᓐᓇᖅᐳᖅ ᓴᖅᑭᑦᑎᔪᓐᓇᕐᓃᑦ, ᐊᔪᙱᒻᒪᕆᒃᑐᖅ ᐃᙱᐅᑎᓂᒃ ᓴᖅᑭᑦᑎᓲᒥᒃ, ᓴᖅᑭᔮᑲᐅᑎᒋᔪᓐᓃᖅᑎᓪᓗᒍ ᒫᓐᓇᐅᔪᖅ ᑖᒃᑯᓂᖓ ᐃᑲᔪᖅᑎᓂᒃ.

ᓂᐅᕕᐊᒃᓴᑦ

ᐳᐃᒍᖅᑕᐃᓕᒋᑦ ᓈᓚᒃᑎᖁᑎᑎᑦ ᒪᓕᒃᑎᖁᑎᑎᓪᓗ ᐃᓕᖕᓂ ᓈᓚᒃᐳᑦ ᑕᐅᑐᒃᖢᑎᓪᓗ, ᑕᐅᑦᑐᖕᓂᑦ ᐱᐅᒃᓴᖅᐳᑦ ᖃᓄᖅ ᓂᐱᖃᕋᓗᐊᕐᒪᖔᖅᐱᑦ ᓈᓚᙱᓐᓂᖅᓴᐅᒻᒪᕆᒃᐳᑦ. ᑖᓐᓇ ᐊᑐᕐᓗᒍ “ᑕᐅᑦᑐᐃᑦ” ᓂᐅᕕᐊᒃᓴᖃᒃᑲᓐᓂᕈᓐᓇᖅᐳᑎᑦ. ᐊᔾᔨᖁᑏᑦ ᐊᑐᕐᓗᒍ ᐃᓕᓴᕐᓇᐅᓪᓗ ᐊᑐᕐᓗᒍ ᐅᕝᕙᓘᓐᓃᑦ ᐊᔾᔨᖁᑎᑦᑎᐊᕙᐃᑦ ᐊᑐᕐᓗᒍ ᓈᓚᒃᑎᖁᑎᑎᑦ ᒪᓕᒃᑎᖁᑎᑎᑦ ᐃᓕᖕᓄᑦ ᖃᒡᓕᔾᔫᒥᔪᓐᓇᖁᓪᓗᑎᑦ ᐅᕝᕙᓘᓐᓃᑦ ᐃᑭᐊᖅᑭᕕᐅᑉ ᓂᐅᕕᐊᒃᓴᖁᑎᐊᓂᑦ. ᐃᓕᖕᓂᑦ ᓴᖅᑭᒻᒪᕆᒍᒪᒍᕕᑦ ᐃᓂᒃᓴᕐᔪᐊᒥᒃ ᐊᑐᕆᐊᖃᖅᐳᑎᑦ ᓂᐅᕕᕐᕖᓪᓗ ᓇᐃᓴᐃᓐᓇᐅᔭᖅᐸᒡᓗᒋᑦ. ᐊᑐᕈᓐᓇᖅᐸᐃᑦ ᓴᖅᑭᑦᑎᓂᖅ ᐊᑐᖅᑕᐅᒻᒪᕆᒋᐊᓕᒃ ᐃᑭᐊᖅᑭᕕᐅᒃ ᓂᐅᕕᐊᒃᓴᖁᑎᖏᑦᑎᒍᑦ, ᑭᓯᐊᓂ ᖃᐅᔨᒪᔭᕆᐊᖃᖅᐳᑎᑦ ᐃᑭᐊᖅᑭᕕᒃᑯᑦ ᖃᕋᓴᐅᔭᒃᑯᑎᒍᓪᓗ ᖃᐅᔨᒪᓗᑎᑦ.

ᑕᑯᒃᓴᐅᓂᐅᑉ ᓚᐃᓴᓐᓯᓕᐅᕈᑎ

ᐋᖅᑭᒃᓱᐃᔪᒪᖏᒃᑯᕕᑦ, ᓴᓇᔭᕆᐊᖃᖅᐳᑎᑦ ᐃᓕᖕᓂᑦ ᓂᐅᕕᐊᒃᓴᓕᐅᕆᐊᖃᖅᐳᑎᑦ, ᐊᔾᔨᖁᑎᕕᓪᓗ ᓚᐃᓴᓐᓯᖁᑎᖓᓂ ᓂᐅᕕᐊᒃᓴᖃᕈᓐᓇᖅᐳᑎᑦ ᑮᓇᐅᔭᓕᐅᕈᑎᒋᔭᖅᐱᑦ ᐊᖏᓂᖅᓴᕐᒥᒃ. ᑖᓐᓇ ᑐᑭᖃᖅᐳᖅ ᐃᓕᖕᓄᑦ ᓴᓇᓗᑎᑦ ᑮᓇᐅᔭᓕᐅᖅᑕᕕᑦ ᐃᓚᖓᓂᑦ ᐱᑖᕐᓗᓂ.

ᑮᓇᐅᔭᒃᑯᑎᒍᑦ ᐃᑲᔪᖅᑕᐅᓂᖅ

ᐃᙱᐅᓯᐅᖅᑏᑦ ᑮᓇᐅᔭᓕᐅᓲᖑᕗᑦ ᐃᑭᐊᖅᑭᕕᒃᑯᑦ ᓈᓚᒃᑎᓂᑦ ᒪᓕᒃᑎᓂᓪᓗ ᑮᓇᐅᔭᒃᑯᑎᒍᑦ ᐃᑲᔪᖅᓱᖅᑕᐅᓪᓗᑎᑦ. ᒪᐅᓇ ᐃᓕᔪᓐᓇᖅᐸᑎᑦ ᓴᓇᓯᒪᔭᕐᓂᑦ (ᐃᙱᐅᓯᐅᖅᑕᐃᑦ, ᐊᐅᓚᔪᓕᐊᕆᓯᒪᔭᐃᑦ, ᓴᖅᑭᔮᑲᐅᑎᒋᔪᒃᑯᓪᓗ) ᒪᐅᓇ ᐃᑭᐊᖅᑭᕕᒃᑯᑎᒍᑦ www.patroon.com ᐅᕝᕙᓘᓐᓃᑦ www.twitch.com ᓈᓚᒃᑎᑎᑦ ᒪᓕᒃᑎᑎᓪᓗ ᐊᑭᓕᖅᓱᐃᔪᓐᓇᖅᐳᑦ subscribe ᓇᕿᓪᓗᒍ

ᐃᑭᐊᖅᑭᕕᒃᑯ ᓴᖅᑭᑦᑎᓂᖅ

ᒪᓕᒃᑎᖃᐅᕈᕕ ᐃᑭᐊᖅᑭᕕᒃᑯᑦ, ᐱᓕᕆᔨᕐᔪᐊᒃᑯᓐᓂ ᐊᑭᓕᖅᑕᐅᔪᒪᓇᔭᖅᐳᑎᑦ ᓂᕈᐊᖅᑕᐅᓯᒪᔪᓄᑦ ᐱᖁᑎᖁᑎᖏᓐᓂᑦ ᐊᑐᕐᓗᑎᑦ ᓴᖅᑭᑦᑐᓕᕆᓃᑦ ᐊᑐᕐᓗᒍ. ᐳᐃᒍᖅᑕᐃᓕᒋᑦ ᐱᖁᑎᖏᓐᓂ ᐊᑭᓖᓇᔭᖅᑐᑦ ᑮᓇᐅᔭᕐᒥᐅᙱᑦᑐᖅ!

ᓴᖅᑭᔮᕐᓂᖅ

ᐃᙱᖅᑎᒻᒪᕆᙳᕐᓂᕈᕕᑦ, ᐱᓕᕆᔪᓐᓇᖅᑕᕕᑦ ᐊᓯᖏᓐᓂᒃ ᐱᑕᖃᖅᐳᖅ ᒪᓕᒃᑎᑎᑦ ᐊᔾᔨᓕᐅᕆᓯᒪᔪᕐᒥᒃ ᐊᑐᖅᑎᓪᓗᒍ (ᐊᑎᖃᖅᐳᖅ “ᓴᖅᑭᔮᕐᓂᖅ”) ᐃᓕᖕᓂᑦ ᐊᑐᕐᓗᑎᑦ ᐃᑭᐊᖅᑭᕕᒃᑯᑦ ᒪᐅᓇ www.cameo.com ᐅᕝᕙᓘᓐᓃᑦ www.memo.me.